Hifi by Numbers

Over a period of time all my CDs have been ripped and stored in my digital music library situated in a NAS and neurotically backed up in triplicate.

From deck to screen. Recording in action

From deck to screen. Recording in action

However, most of my LPs – if you remember those round bits of plastic with a hole in the middle – remain in the analogue universe. True, many modern LPs come with a free digital download, usually. in the form of MP3s and occasionally and usefully, in lossless format. Why record companies think that people who buy records are impressed by MP3s, I don’t know, but it’s welcome nevertheless.

But the recent loan of an LP from a friend encouraged me to look into transcribing it to digital files. It was a task which turned out to be much simpler and more rewarding than I expected.

Of course, you do need an amount of equipment and software to achieve this goal.

In a nutshell, from analogue source to digital file, this was my route.

I used my regular turntable, a Project Classic, and cartridge, an Ortofon 2M Blue, which feeds a Project Phono Box USB Phono Preamp. Fortunately, many years ago, I had the foresight to get a pre-amp with a A-D converter and USB port as well as the usual RCA outputs.

The USB output is connected to my PC which is the hub of my music system. The PC recognises the USB pre-amp as a microphone for the benefit of recording.

For recording software I downloaded an application called Audacity, which is open-sourced and free, a major thumbs up. The software immediately identified the USB input as a microphone device. Easy!

Live screen shot of Audacity in action

Live screen shot of Audacity in action

The recording process was remarkably simple after a couple of trial runs to get the basic idea of the software. On the computer START the recording, lower the stylus on the record, wait until the record has played and STOP the recording. The controls look like any traditional recording device.

Audacity has a multitude of adjustments and other widgets can be loaded in, but I just used the base settings and achieved excellent results.

Once once you’ve made the recording you need to export it as an audio file. In this case I chose the .WAV codec, but it could have been any of the usual formats. There is also a facility to save as an Audacity Project, which I did, but have no idea what the usefulness of this is at the moment.

The quality of the recording was very good. The LP was in very good condition so there were minimal surface noises. There are widgets and filters available which minimise the cracks and pops sometimes found on LPs, but I decided not to use them in this case. They might be useful on worn and damaged LPs.

And that was it. I’m going to use the software to trim the lead-ins and lead-outs. It is also possible to split the files into individual tracks, although, I think, in this case I’m not going to. I still like the idea that listening to a long playing record is, at least, a twenty minute commitment to music.

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Boltorr Road – 20160130

Boltorr Road Halt

Boltorr Road Halt

Originally Boltorr Road was going to be represented in a 12ft x 2ft area, but reality intervened and I’ve cut the size to 8ft x 2ft.

This isn’t really a compromise. It means that the layout will be able to accommodate a reasonable size fiddle yard at either end and it’s going to be more manageable as my first project.

The real problem was how does one represent an authentic railway station in 8ft? Even the smallest country station is going to be at least a quarter of a mile (400m) from end to end. At 4mm to the foot that means something like an 18ft expanse.

The void for the river bridge. The actual track bed will be cut out to place the iron structure. This is to ensure the track remains straight and true.

The void for the river bridge. The actual track bed will be cut out to place the iron structure. This is to ensure the track remains straight and true.

Boltorr Road was conceived as a halt, not even a station. A halt is a kind of passenger request stop for trains. There are no facilities, other than maybe a rudimentary shelter. Certainly no staff or means of issuing tickets. That function would be done by the guard on board the stopping train.

However, the halt does possess a passing loop which elevates it slightly. At Boltorr the loop provides access to some sort of quarry, granite or china clay, maybe wolfram, all out of sight, of course, but providing some visual and operating interest with goods trains either passing through or pausing for the all clear to enter or exit the quarry sidings.

What I have done, in order to maintain visual authenticity is represent just one end of the station to maximise the feeling of space which seems to be rare on most model rail layouts, although, to be fair, that is usually not most builders’ priority.

I’ve amended my initial plan for Boltorr in the diagram below, downsized with a track realignment to avoid an access issue under the points. The scenery is, at the moment, notional, because I really want to think about how to treat the visual breaks from the diorama at either end of the tracks and also the river’s upstream entry at the rear of the scene.

At the moment I’m considering a road overbridge at the left (northern) exit and a tunnel on the right (south). These are tried and true strategies, but I want to ponder it a bit more. I think a bit of work with screwed up newspaper to determine a plausible lie of the land before settling on the human intervention.

The only confirmed items on this plan are the track layout and the point where the river passes underneath

The only confirmed items on this plan are the track layout and the point where the river passes underneath

I have a couple of initial concerns with the underlying landscape. The first is whether the road overbridge and station access road can be built with realistic gradients and levels, ie., not looking like a cardboard ramp has been shoehorned in.

Second, a tunnel is an expensive thing, right? It has to look as if it’s really digging into something substantial, otherwise the railway engineer would have found another way around the mountain or dug a cutting. And this has to cascade down to a small river which, nevertheless, was mighty enough to forge its way through to wherever Dartmoor rivers go.

All this has to do with conveying heft, mass .. the sense of reality. You know how CGI at the cinema can look? When it’s good, it’s very, very good. When it’s bad it’s awful even if it has every detail, except you just don’t get that sensation of absolute mass and presence. In other words, reality. A papier-mâché tiger.

Something to think about for my little world.

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Boltorr Road. A Short History

The Eagle - It's that fiendish Mekon, Digby!

The Eagle – It’s that fiendish Mekon, Digby!

Boltorr Road HaltAlight for Bolsworthy House and Links – has been a long time in the making.

I think every kid, well boy at least, who grew up in the UK in the 1950s read The Eagle and had a Triang Princess Elizabeth train set. In the 60s I trainspotted on the windy platforms of Plymouth North Road station, annotating my shed books and cabbing in those days before Health & Safety and security issues meant those days were never going to happen again.

Since then life went the way life generally goes. I amassed a huge collection of model railway magazines and visited any number of preserved railways and museums but never got around to actually building a model railway.

But I’ve had plenty of time to think about it.

Other than in the little wood and plastic world I’m now building in my basement Boltorr Road exists solely in my imagination, or possibly on some other world in some other quantum universe. So no one is going to tell me what is right or wrong on my own little railway. Rivet counters and other miserablists just say nothing, okay?

The track bed now laid and stuck down looking north

The track bed now laid and stuck down looking north

My prime directive is to look authentic, so Boltorr Road does have a general geographic location. It does represent an actual period of time. It does connect two areas of the country which, for some reason, Victorian entrepreneurs and railway builders overlooked, or at least, underestimated the need for a railway.

It will be the geography, the industry and other economic factors will determine the traffic on the line; the engines, the coaching stock, the nature of the goods trains, and just the actual look of it.

Boltorr Road Halt is situated on a hypothetical branch line running north out of Plymouth towards north Cornwall, between the Tamar and Dartmoor. Originally built by the South Devon and North Cornwall Railway before being run as a joint railway between the Great Western Railway and the London & South Western Railway, then the GWR and Southern Railway, and eventually British Railways Western and Southern Regions.

So while it might be possible to see a Bulleid “Westcountry” in charge of a London bound boat train diverted around Dawlish and Okehampton, you’re not going to see a Deltic drawing a train of iron ore wagons even though the track was built for heavy freight.

Did I mention that? Oh yes. There’s plenty of china clay and quarrying going on along the old SD&NC, as well as fish, fruit, vegetables, milk and all the other stuff which comes from Devon and Cornwall.

The layout will be able to represent any time from the early fifties to the mid-eighties. Plenty of branch lines were still using Victorian signalling and infrastructure even then. Just the nature of the train passing through will suggest what era the line is in at that moment.

Well. That’s the theory. Let’s see what happens.

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Boltorr Road – 20160129

Boltorr Road Halt

Boltorr Road Halt

Well, let’s get straight to the point. There’s been a bit of a break caused mostly by my right arm being in plaster or otherwise immobile for a month or so. But the time did enable me to take a pause for thought.

A 12ft x 2ft format turned out to be a feasible, but tight squeeze and really a bit unmanageable in the space I have. The layout will be housed in our cellar, a luxury for most UK modellers I know, but this one is subdivided in a way not ideal from the railway layout point of view. I know, first world problems. So I decided to cut the layout to 8ft x 2ft, having already assembled three 4ft modules. This leaves plenty of room for a fiddle yard at either end.

It’s not such a big deal. It’s my first real model, after all, and leaves room for my next project … more about that when Boltorr Road is well under way.

Laying the track foundation at Boltorr Rd - from the north

Laying the track foundation at Boltorr Rd – from the north

I was originally intending to keep the modules metric. But this is the US and frankly, I could not face the prospect of cutting every piece individually. As it is, I found a lumber merchant who was helpful enough to reduce an 8ft x 4ft x 18mm plywood board to a collection of useful pieces which could be joined in several ways to cope with the topography of the scene I have in mind.

So my first job has been to establish a level track plane while the landscape rises and falls around it.

The track support surface itself is cut from a light fibre board sold as Homasote here. It seems very similar, if not identical to SunDeala board as sold in the UK. Although the foundation is trimmed to within an inch or so of the track, the bed itself is supported by plywood beams. This makes for a sturdy, stable, but fairly lightweight and open support.

I used a spirit-level to true up the baseboard module and temporarily tacked the large Homasote boards while I determined the layout of the track. I wanted to convey the idea of smooth sweeping curves. My fixed points were a crossover determined by turnout geometry and a bridge over a small river.

I first determined the curves using pins and a 4ft steel rule. My first job was as a technician shipwright apprentice who went on to work in a ships’ drawing office, so I have a good eye for developing transition curves. The ruling curve radius is about 6ft, although the points are about 60 inches with the curved point turn out being less than that.

The tightest curve is on the exit from what will be a bridge over a stream. I’ll probably fit a check-rail at that point.

D835 "Pegasus" awaiting detailing, dirtying and digitalising

D835 “Pegasus” awaiting detailing, dirtying and digitalising

Prototypically that means a radius of 7 chains, tight, but I don’t think unfeasible on a branchline running through rolling countryside, and still large enough to accommodate a mainline engine with a sensible speed limit.

The aim is that the curves and transitions look smooth and authentic and I hope will be a big contribution to the layout’s atmosphere.

My first attempt needed adjusting when I found one of the points was situated right over a plywood support which meant I couldn’t fit a sub-baseboard point motor. So there was a bit of re-alignment to accommodate this.

After determining the line, I trimmed the Homasote. This material is easy to cut, but produces a filthy dust. Fortunately, I’d been warned about this so cut it outside. It was then pinned and glued onto the sub-frame with a final check for level and true.

Which is basically where I am now. Next job is to cut the void for the bridge, fix the points and figure out how to switch them with DCC. Once the actual track is fixed then I’ll figure out the lie of the land.

Next article: Boltorr Road Halt. A short history …

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Boltorr Road – 20151113

The vertical world of the model railway at Pendon Museum

The vertical world of the model railway at Pendon Museum

It’s a particular bugbear of mine that so many admirable, in other respects, model railways exist on a perfect plane. The world is an incredible place which exists in at least three dimensions.

Three sections of space-frame baseboard allowing up to -16metres/-50ft relief on panel C

Three sections of space-frame baseboard allowing up to -16metres/-50ft relief on panel C

Most model railway worlds only exist above the track plane. The existence of a topology, geology or landscape below the plane is difficult if the traditional baseboard approach is taken. That is, a large expanse of plane material, plywood, MDF or other composite upon which the builder’s world is realised.

So my diorama which will represent a scene from another universe quite like, but not actually ours. It will need to encompass this physical specification.

The baseboards on this microcosm will be built as a space-frame, supporting the track plane but, in this case, will accommodate up to 50 scale feet below the track bed.

The frames are glued and screwed from 18mm plywood.

The track bed – not yet laid on the frames – will be made of 12mm Homasote – known as SunDeala in the UK. Homasote is a paper composite board commonly used for thermal and sound isolation, but is light, easily cut and formed, strong and durable enough to support a model railway and provide a degree of sound damping for the tracks. More about that another day.

The layout itself will be an end-to-end on a 12ft x 2ft plan made up of three 4ft x 2ft space-frame modules. The rest of the universe as we know it will be represented by invisible fiddle-yards at each end.

Boltorr Rd track plan - first rendition

Boltorr Rd track plan – first rendition

The station itself isn’t actually a station at all. It’s a halt. People wishing to get off the train would tell the guard who’d arrange for the train to stop. People wishing to get on would hold their hand out and hope the driver would see it.

This halt is pretty much in the middle of nowhere, although the village of Bolsworth Warren is a mile or so down the road along with Bolsworthy Manor Hotel and Links for walkers and golfers. The Warren and the hotel are on the spring-line.

It incorporates a passing loop and old industrial spur for operational interest.

On the northern boundary – the left – the scene will be broken by an old china clay facility of some nature, and towards the south – the right – a road over-bridge.

The rest of the world will be represented by a fantastic panorama devised for me by my nephew, Jamie Halton, from quite an extensive and detailed brief. That really is Dartmoor back in the distance. The image itself will be behind in a large ellipse and incorporate as many scenic breaks as I can devise to make the whole appear seamless between 3D and 2D.

Panorama - east from Boltorr Road Halt

Panorama – east from Boltorr Road Halt – composite photo: Jamie Halton UK

More about Boltorr Road Halt another day. More practically, proof of concept test track and scenery practice, next Boltorr Halt article …

Interesting Link:

Pendon Museum

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It’s A Small World

A small corner of Rod Stewart's "Train Set"

A small corner of Rod Stewart’s “Train Set”

I don’t know what it is, but in my life I’ve often noticed a link between cycling, photography and trains. Oh yes. And beer.

Maybe it’s just my imagination, but it works for me.

A propos of nothing, I was half listening to BBC Radio Five Live the other day when they had an interview with The Great Coiffed One – Rod Stewart – when the chat started to go in the direction of model railways, railroads, if you like.

Well, I say “model railways“, but to Rod’s fairly obvious irritation the interviewer kept referring to Rod’s “train-set” and, although he didn’t actually say it, playing trains.

Just to put this in perspective, Rod’s “train set” is, of course, massive, about 7m x 40m, 23ft x 127ft. And Rod actually built it himself, although he admits he has a guy who does the electrics and electronics. His tour requirements don’t stipulate blue Smarties, but an extra hotel room in which he can do a bit of scratchbuilding.

I’ve heard tell, that Rod puts being on Model Railroader magazine’s front cover above any others including Rolling Stone and Billboard.

Apparently, Rod isn’t the only celeb model railway enthusiast. He mentioned several other well known and sometimes, rather surprising modellers. I mean, Neil Young?

So, where’s this leading?

Over the years I’ve been a bit of an armchair modeller. That is a railway modeller without a model railway. Actually, this syndrome is pretty common,, but, in my case, I’ve decided to make the plunge.

This isn’t going to be a “nail a couple of bits of track to a board and call it a model railway” sort of model railway. I’m going to make it as authentic looking as I can.

Chris Nevard's Polbrook Gurney Colliery

Chris Nevard’s Polbrook Gurney Colliery

There’s a guy called Chris Nevard who’s actually doing what I can only, at the moment, aspire to. I’ve put a typical image from one of his layouts to the right. There’s a link in my list of favourite websites and blogs.

My own layout is going to have an alternative history, situated in a place where there never was an actual railway. It’s going to look as if it fits into a landscape and I’m going to be trying a few of my own ideas in that respect.

It’s likely to be situated on the western side of Dartmoor, on the Devon and Cornwall border, but more of that another time.

Boltorr Road Halt

Boltorr Road Halt

In the meantime here’s a taster.

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New Jersey in New Jersey

New Rockets & Rascals Plymouth jersey in New Jersey

New Rockets & Rascals’ Plymouth jersey in New Jersey

It’s been a few weeks since I’ve been on the road with the Mighty Giant Defy Advanced SL, so I devised a route from Holmdel Park, westwards towards Monmouth Battlefield Park. See here.

A bit of useful input from coach Don helped me avoid a couple of more hazardous pinch points and contributed towards a very pleasant sub-30mile/50km ride on a Sunday morning.

And, of course, there was the enticement of a fruit strüdel at Battleview Orchard.

C'mon. You know you want to ...

C’mon. You know you want to …

The route had more hills than I expected although they were only fairly moderate. Even I could manage them in the big ring, and that’s saying something.

Roads weren’t quite as pleasantly bucolic as roads in the Sourland and Hunterdon, but drivers were mostly courteous except for the closest t-boner I’ve had with a driver who yelled he, “didn’t see” me (so that was my fault?). I was wearing a bright orange jersey – see image upper right – and using a front strobe … Oh well. Let’s hope next time he didn’t actually kill anyone. Note to self; dig out pov cams.

Oh yes. The Jersey. I’ve been seeking a “Plymouth” jersey for quite a while and, fortunately found one on my last visit to Plymouth, UK, in the city’s very own hipster shop, Rockets & Rascals. What was better, it was my away kit colour, orange.

I was expecting to see more cyclists, being, as it was Labor Day weekend. However, there were very few riders on the road and I was the only one at the Orchard outlet. What? Oh well, maybe they were spending time with family and friends …

As usual, the Defy continues to be such a comfortable, reactive and stable bike.

What more could I want?

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Brompton Tubeless Tyre Modification

Schwalbe Marathon Plus

Schwalbe Marathon Plus

Although neither the Brompton rims nor the Schwalbe Marathon Plus tyre are designed for tubeless running I was able, with careful use of Stan’s Tape, valve and sealant, to use this very successfully with no real issues until last week.

I’ve been running tubeless on the Brompton for about a year. So successful is this that; 1- So far I haven’t had a flat, and 2- the tyres have virtually never needed pumping they are so airtight.

However, on the last regular Tour de New York City run, the rear tyre slowly deflated and I had to install a regular tube to fix things.

Well, this did confirm that in the rare event of having a flat in a tubeless tyre using a regular tube as a repair is perfectly feasible and satisfactory.

However, I did note that when I first removed the tyre there was no liquid Stan’s sealant in the casing, hence, I suppose, the reason the tyre deflated. But there was no evidence that the fluid had done its job and sealed any holes or punctures. It just seemed to have disappeared.

Brompton taking Manhattan from the Brooklyn Veterans' Memorial Pier

Brompton taking Manhattan from the Brooklyn Veterans’ Memorial Pier

Having spoken to Cody, one of the great team of mechanics at Halter’s Cycles, it appears he had a similar issue with a Schwalbe tubeless conversion.

Bear in mind the Marathons are not specced for tubeless use although they work perfectly well. But, most tyres designed for tubeless use are lined with a material impervious to sealants, whereas regular tyres often have a layer which just soaks up any fluid until it’s saturated and there’s no fluid left in the casing to do its job of sealing any holes which may occur as was the case here. In fact there was no actual puncture, but air was escaping via the rim and bead.

So assuming that the tyre has soaked up all the sealant it’s capable of in the past year I’ve reinstalled tyre as tubeless with a new dose of sealant and all seems to be good again. I’ve dosed up the other wheel as well just in case.

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The Henry Hudson Bike Trail to Sandy Hook

Well, as friends will know, Mrs Bloke and I have completed the move from @HillAcres to @ChezNousSurMer. Not as traumatic as it could have been, but a couple of weeks later we are still surrounded by boxes.

Me on the trail. Looks nice doesn't it?

Me on the trail. Looks nice doesn’t it? Not me, obviously

So, having ridden a couple of forays into the neighbourhood it was time to tackle something a little more serious and since I haven’t really been able to plot a nice way into the countryside or find a nice place from which to start a ride I decided to try out the Henry Hudson Bike Trail which passes within a couple of miles of our front door.

The Henry Hudson Bike Trail is, potentially, a great amenity and should be a magnet for bicycle riders of all ages and abilities. Unfortunately, as I rode it, it became apparent that parts of it have become sadly neglected and virtually nothing has been done to enhance its value as a community and tourist facility.

I joined the trail in Keyport. That was not as easy as you might think since there were no indicators until you are on top of the trail entry points. In a couple of places, where the trail crosses local roads, cars were allowed to park right up to, and even obstruct the crossings making it difficult to check the roads even when doing the right thing, ie; stopping and looking. It’s quite hard to safely look around some giant truck when you’re on a bike.

My route from Keyport to Sandy Hook along the Henry Hudson Bike Trail.

My route from Keyport to Sandy Hook along the Henry Hudson Bike Trail.

The surface of the trail at this point, and in fact right up to Atlantic Highlands is blacktop. The condition is generally okay, but at several points there are sharp ridges, maybe up to 4″ high in some cases, caused by expansion or tree roots perhaps, which are unpleasant, even dangerous, at recreational trail speed.

Add to that sunken drains and sometimes severe transitions – 3″-4″ ridges and steps – onto bridges and you have a number of issues on what should be a safe and secure trail.

As you approach Atlantic Highlands the trail crosses some fairly major roads at light controlled junctions. Well, lights aimed at traffic on the roads, that is. There is no bike detection or request button at these points and you have to wait for the sequence to take its course and hope you don’t get hit by a right hooker while the indicator says it’s safe to cross.

The trail takes a break as it enters the outskirts of Atlantic Highlands. A small sign indicates you should turn left onto a series of neighbourhood roads, but then you have to be extremely sharp-eyed to spot the signs which will take you to the point where the trail resumes. I spoke to two or three lost cyclists at this point.

The trail cuts through a large parking lot down by the harbour then threads its way eastwards again, still on blacktop. However, as the trail leaves the harbour area it has a zone which looks as if it was washed out by Sandy. For a hundred yards or so the surface looks like a wilderness mountain bike trail before re-establishing itself with a surface of, what to my UK eyes is, a dressing of 3/4″ to dust limestone gravel.

Generally, limestone chippings aren’t an issue for a bike trail. I remember when the Bristol-Bath trail, an early UK bike trail, was surfaced with this stuff. After being in use for a couple of weeks it was perfectly adequate, even for a road bike, but in this section there are a lot of washouts with channels several inches deep and a foot across. In some points the trail becomes a boardwalk with longitudinal planks and gaps easily capable of grabbing a 25mm wheel with (almost) inevitable results.

The mighty Giant Defy SL Advanced cools its heels at Sandy Hook

The mighty Giant Defy SL Advanced cools its heels at Sandy Hook

Now, I know it’s possible to ride any bike anywhere you like. Most of my friends and acquaintances would have no trouble riding the route on a full-on road bike. I was riding the mighty Defy, but it was a challenge. When I ride this trail again, and I will, it will be on something with a 32+mm tyre. A ‘cross bike or gravel racer would be fine. A hybrid, perfect. A cruiser, even. But not my pride and joy.

This bike trail is a community amenity and should be accessible by anyone, especially those without advanced trail skills. You know; children, occasional recreational riders, retirement community members … me.

Sorry to appear so negative, and I’m not really, but to me it seems that this is NJ and bicycles problem in a nutshell.

Just say, “We have Complete Streets.”

Just say, “We have a bike trail.”

But it doesn’t actually mean we have any of those things if you don’t value and maintain them.

Bike trails just don’t need to be designed or legislated. They need upkeep, maintenance and development. Constant innovation. There’s a mountain to climb. It’s kind of like “Complete Streets”. You said you liked the idea, and that’s enough. Job done!

Sandy Hook Light - I made it despite it all!

Sandy Hook Light – I made it despite it all!

Well, it’s not.

I hark back to the Bristol-Bath bike path. It has sculpture trails, blue plaques, historic notes, local signposts and access to pubs, cafes, shops, transport nodes, toilets, children’s playgrounds, etc, which let you know where you are, how far the next village is, and so on. In fact, if you want you can ride on to Moscow, Athens or the Arctic Circle, all on a maintained, protected and indicated cycle path.

The US can do this. Look at The High Line – okay, it’s for walkers only, the NYC Greenway … it can be done.

Don’t get me wrong. The Henry Hudson Bike Trail is a great facility. But it needs development, maintenance and connection to the communities it passes through.

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A Bit Quiet Around Here …

Well, actually not quite true.

Miss America and I will shortly be moving away from the august environs of Princeton to the slightly faded 20’s glory of Cliffwood Beach on Raritan Bay. Still in New Jersey, of course, but still, a bit of a reality shift.

The really nice thing is that we’re moving to a rather charming period house on a small promontory overlooking the bay. In fact, it’s possible to see past the Verrazano bridge and up into Manhattan. The skyscrapers are quite identifiable on the horizon. An osprey stood guard in the trees at the bottom of the garden the day we went to view the property. So we were hooked.

Selfie on Ridge Road

Selfie on Ridge Road

So I’m taking the opportunity to get a few final rides into the Sourlands from our front door, while I still can.

Yes. That is a Guardian jersey I’m wearing there.

Yesterday, as usual on a ride, I solved the major problems of the world before realising that GU’s new hydration drink flavour, Lemon Tea is actually very good. Actually tastes like lemon tea, strangely enough. For you fadisttas, the drink seems to be gluten free, but does contain sodium and caffeine.

I was also musing about the strengths of our local bike shop’s favourite rear light, the Cat Eye Rapid-X which I have mentioned before on this blog.

It has now morphed into the Cat Eye Rapid-X2 which is basically the original on steroids, a little bulkier, but twice as bright.

I’ve already made the case for showing, at least, a rear light in daylight, but I got to thinking about the use of these very bright rear lights a night. It seems that a strobe pattern, whilst it might give the cyclist a sense of security, may be difficult for onlookers – motorists – to interpret direction and speed of the bicycle in the dark.

It seems a good guide is to use strobe in daylight hours, but use either steady or pulse at night. Given how much cheaper and more efficient these lights are getting the cautious could use two lights at night, one constant and one strobing.

I know. There will still be drivers who didn’t notice you while they were texting, but we can only do what’s most effective.

Anyway, I’m going to get what hills I can before I become a flat-lander.

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